Final Cut Pro

Even though the projection mapping had improved dramatically the second time around and the quality of the visual were much more vibrant and noticeable, I still didn’t feel like we had reached the point were it was good enough to submit as a final piece and Zac agreed.

I was really pleased with the final video that were able to put together last minute in final cut pro, even though we had gone in the opposite direction to our apposed brief of doing a more audio-visual live projection, I felt that using final cut was much more beneficial as we were really able to tweak the videos and get the best outcome possible. We were also able to include a mixture of our strongest visuals from both Resolume and OpenFrameworks. Even though the video wasn’t automatically audio visual responsive done through the software itself as before, instead we actually spent time going through the track in individual stages ourselves, and changing the imagery to math the particular beats which was time consuming but definitely worth it as we were able to manipulate it to how we wanted it unlike before when the visuals were slightly too fast for our liking.